JILL STUART FALL/WINTER 2013

REAL CLOTHES FOR REAL GIRLS

Jill Stuart is one of those designers who is not an enigma.  And that is a good thing.  You know what you’re going to find in her clothes:  feminine, functional and very, very pretty.  The reason I beg to attend her runway season after season, is to see just what she is going to do to keep her looks new and fresh, and she does, every time.

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For Fall/Winter 2013, she did it with texture.  Super functional wools somehow looked sleek and sexy.  A short, teal jacket had those puffed upper arms we’ve seen in a couple of shows, but she managed to make it wearable, paired with charcoal wool pants.

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She used intricate cut-outs in a simple black dress with white collar and cuffs to keep it from looking “mumsy”, and instead elevating it to subtle but sexy.  The same cut-out design showed up in a suit, shorts and an amazing cape as well, all gorgeous.

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Every piece showed an incredible mix of textures:  metallics softened by lace, fluffy wool sweaters that really stood out, lacy dresses with rows of ruffles and a patterned print that shined (literally).

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Stuart’s party-girl looks were all young, fresh and so original.  It’s her stock-in-trade, but somehow she finds new ways to take a standard and make it new.

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The stripey section could have been crazy and unwearable, but Stuart’s impeccable tailoring and creative vision made them the dresses every girl will want to own, and wear.

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In the usually dull winter, there were glorious pops of color in vibrant corals, bright reds and jewel toned purples and aubergines that lit up the runway.

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I know dresses are her thing, but I thought one of the big standouts of the season was outerwear.  Coats and jackets looked simple enough in soft, shiny wools, but the details made them look rich and sophisticated.

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Stuart’s woman is clearly young, gorgeous and fun-loving, everything we all want to be.  But she serves them so well with her fantastic design and attention to detail, it’s no wonder her shows are packed, every season.

Photography: Anton Brookes

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