Let’s Hear It For the Boys: NYMD Day 2



Sleek and sophisticated, with just a touch of whimsy.  That’s the best way I can think of to describe Robert James’ Fall/Winter collection.  These are grown-up styles for grown-up men, no boys’ “athleisure”, no trucker caps, just real clothes for the real world.

All black and white and shades of gray, James’ perfect tailoring was present in every piece, from trousers to outerwear.  There were so many standouts, from a classic black overcoat to monochromatic suits, from a gorgeous houndstooth coat with black lapels to a leopard print blazer (hence, the touch of whimsy), along with a beautiful black leather coat.


This is a standout collection, notable for its modern take on traditional styles.  That’s what Robert James is all about, a man who knows his customer, the successful, well-dressed 21st century man.



NYMD is where you find menswear designers you may not be very familiar with, but have a very definite point of view that may be a bit outside the mainstream, and have a growing group of fans and customers.  Matiere fits in perfectly with that ethos.

Designers Scott Sandalove and Jake Zeitlin were inspired this season by modern-day explorers, travelers making their way across the globe.  The story is told through fabric and texture, achieved with Italian wools, gauze, cashmere, mohair and jersey. Color is just about a complete non-issue, all blacks, grays a touch of cream and a little dab of burgundy.

This is a beautifully straightforward men’s collection, with tailored pants, fun and functional outerwear, comfy sweaters and, of course, the required-for-this-season, Doc Martens.

Functional, wearable, manly yet fashionable, this may be the perfect men’s collection for Fall.



There are the sleek, classic looks of a Robert James, then there are the cool, out-there looks of Lucio Castro.  The two couldn’t be more different, yet both are masculine, wearable and inspired, each in its own way.

Castro’s inspiration was Stonehenge, the U.K. spot that is the site of unexplained stone sculptures, where Druids gather to celebrate the Summer Solstice.  He reached back to the ‘80s and’90s, a time when the spot was also home to a series of rock concerts.

IMG_8651   Lucio Castro

You can see the influence of both the time and place in almost every piece.  The colors were earthy, forest greens, gold, brown and brown-reds.  The cut was relaxed and comfortable in everything from bomber jackets to suits, sweater-vests and overcoats. The rock ‘n’ roll was in the patterns, multi-colored stripes, paisleys and prints.

Then, of course, there were the culottes.  Definitely not for the faint of heart, in green tartan plaid and a more subtle beige, they push men’s fashion to a new and different place.

Lucio Castro’s collection takes a nostalgic step backward, to a fun part of the past, then gives it a bold, modern edge that makes it work for the man of today.



There is no doubt about Min Hur’s inspiration for Fall/Winter 2016:  military precision in design and tailoring.  It was obvious in some looks, like the flight jackets, uniform overcoats and even a vest, clearly fashioned after one of the bullet-proof variety, complete with navy caps.

It was also apparent in the ever-so-crisp lines in his suits, a collection of beautifully-designeD, ‘40s-inspired, jewel-toned dress-up wear, masculine, mysterious and a little bit dangerous.


Make no mistake, reaching back to the World War II era doesn’t make this a nostalgic collection.  No, it is most modern, but designed for a man who cares about his appearance, loves being neat and noticed.  Overcoats are straight and serious, but burgundy instead of black.  Suits are cut perfectly, but just a bit relaxed.  This is a serious collection, for the man who is serious about fashion.



This is how I see Winter:  cold, wet, bleak, scratchy, bathed in shades of grey.  Because I choose to live in New York City, I shiver through it, but not happily.  I only grudgingly see the beauty in freshly-fallen snow, and only for about a minute before it becomes an unidentifiable, filthy mess.  My only real comfort comes from watching the weather, post-December 21st, to confirm that the sun is setting a minute or so later, every day.

For Fall/Winter 2016, CWST designers Derek Buse and Joe Sadler fed right into my dreary vision, and turned it into something warm and cuddly, if still bleak.  Inspired by the San Juan Islands in the Puget Sound, an isolated, mobile-free zone north of Seattle, their vision of winter wear is seen through “grey washed rain shadows, cordovan tide lines, sandstone outcroppings and weathered Douglas-fir”.

That inspiration is clear in the washed-out colors, greys, blues and blacks, and also in the warm, comfy fabrics.  Shearling and wool coats, vests, panchos and manly pashminas are designed to fend off the cold and damp.  The styles and patterns take this collection from a utilitarian way to stay warm to fashion-forward looks, made to warm cold, hipster hearts.

This may not be a collection for every man, but it is on point for the young and hip, determined to stay warm in the worst of Winter.

© Red Stiletto Media 2016    Photography:  Anton Brookes

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Before they had their own Fashion Week, there was New York Men’s Day, a full day to OD on all things menswear.  Put together, somehow, by the good Fashionistas at Agentry PR, it groups together designers  for morning and afternoon presentations, always in Industria Superstudios.  Now, NYMD opens Fashion Week: Men’s, with the same level of creativity, talent and brilliant design as ever.  Here’s our look, starting with the morning session:



The suit’s the thing for Fall at Max ‘n Chester. The line designer Peter Trainor showed at NYMD started with suiting, and ran from there.  The fit was relaxed, comfortable, almost sporty, the base colors, grey and black.

Creativity came in the form of fabric, pattern and texture.  Winter wools were joined by denims, cottons and quilts.  There were stripes and plaids (sometimes together) to match the solid, nearly tweedy, feel.


Mixed in with the menswear was women’s wear, a perfect fit, maintaining Max ‘n Chester’s design aesthetic, relaxed and comfy, expressed in shirt dresses, jumpers and, yes, suits.

There’s nothing wrong with being comfortable in your clothes, as long as you’re chic.  And Max ‘n Chester has found the way to combine both, effortlessly.


IMG_8315  Kramer and Stoudt

There’s more than a hint of the rebel in Mike Rubin, founder and designer of Krammer & Stoudt.  He looks more Wild West than SoCal, but his inspiration has come from the skaters, surfers and punks who populate the beaches and boardwalks.

For Fall 2016, Rubin didn’t step away from his past inspirations, but he enhanced them, pulling some influences from a German artist, then shining it all up with Western flair.


Smartly tailored suits were matched with plaid shirts and pleated pants with ankle-length hems paired with Rubin’s take on the bomber jacket.

But outerwear is where this collection really shined.  Functional, masculine and completely creative, his fabric choices turned simple coats into winter must-haves. 

His debut NYMD presentation featured models standing on stage, then mingling with the crowd, fitting in with the fashionistas.  It was a real winner.


IMG_8382  Kramer and Stoudt

It’s becoming a big week for Doc Martens.  Designer Jae Wan Park paired the utilitarian fashion statement with his entire Fall/Winter 2016 collection, but then, they were the perfect finishing touch for PLAC’s looks.

Park gave a nod to the Eighties, the good fashion part of the Eighties, with tapered trousers, jogging pants and denim, his original design choice.  Hoodies and sweaters (super-long, roll-necks and crews) were staples of this collection, along with the odd tee and turtle neck. 

IMG_8379  Kramer and Stoudt

But outerwear is what truly shined.  The season’s favorite bomber jackets were done in truly original fabrics and textures, hooded parkas had small details, like quilted sleeves, that stood out, and macs and even a Chesterfield, were beautifully tailored.  And I loved the long, long scarves.

The colors were dark, mainly black and gray, but the vibe was young and hip and made great strides forward for this once all-denim brand.


IMG_8389   Garciavalex

If you are in search of a clothing line that can transport you to a higher level of self-awareness, wellness and relaxation, then Carlos Garciavelez’s Fall/Winter 2016 collection is the one for you.

His man is taking a step back from the stress of everyday life and spending a little time at a thermal spa in Switzerland.  What does that mean?  It means, relaxed, layered looks designed to wrap the wearer in warmth and comfort.

IMG_8390   Garciavalex

Garciavelez accomplished that goal with loose, slouchy trousers, most resembling tracksuit bottoms, given an extra chic edge by pairing them with layers of printed tees and sweaters, and sleek, tailored coats. He added extra drama by combining textures:  leathers with wool in a sweater quilting and color-blocked wool in an overcoat.

The designer said, “the collection is about calming and focusing your senses through self-reflection,” and it works on that level, cozy, comfortable looks elevated by beautiful design.

© Red Stiletto Media 2016    Photography: Anton Brookes

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IMG_3214.JPG 72“The artistry of the zen garden, minimal and austere, with bold strokes of color and form, with lacquered hair.”

Image1So begins the inspiration statement of the legendary designer, Carmen Marc Valvo for his Spring/Summer 2016 collection. “This season’s collection is very Asian inspired”, he said, backstage before the show. “It’s very yin and yang with a lot of calligraphy, brushstrokes, Koi and cranes. We have butterflies, we have dragon flies, we have all sorts of things.”

Image2And that combination makes this one of his most magnificent collections ever, and that’s really saying something. Black, white and bold, bold red were the colors of this catwalk, inspired in great part by the designer’s butterfly koi. It took two years to bring this vision to the runway. He said, “they had babies about two years ago in the pond, which is kind of cool. I wanted to try to do this, but the timing wasn’t right, then I didn’t know how to accomplish it.” But, two weeks before the mills closed, it all came together in these strong yet delicate looks. Hence, the yin and yang.

Image3Painterly prints and big florals added to the Asian-inspired theme, along with soft chiffons mimicking gossamer wings, leather and python patterns reflected shimmering fish scales. The fabrics were perfectly chosen, as well: double-faced wool, crepe, chemise, linen and leather.

Image6Shift dresses, either color blocked or patterned, had a real updated ‘60s feel, a truly modern mod. He brought palazzo pants to a new level, with a peony-printed pair, topped with a mesh inset maillot and another with a calligraphy crane design with an ivory racerback maillot. They were just so sexy.

Image5Then there were the swimsuits, all one-piece, most using the same brushstroke motif, all amazing.

Image4Of course, where Valvo’s collections really shine are in eveningwear, from a sleek, ebony organza lacquered gown to a poppy brushstroke gown (this, along with an ebony pleated gown inset with python is where you could really see the Koi influence), to the true show-stopper, the Changshou organza gown, they were light and airy, and oh, so glam.

Image7Image9I’ve focused on womenswear because that made up the bulk of the collections. His menswear used the same patterns and textures in perfectly tailored jackets and shorts, shirts and suits. And tailoring is so much a part of what makes a Carmen Marc Valvo collection truly special.

Image8While the looks are easy to wear, so much work goes into each piece, fit and cut to perfection, with touches like double pleated overlays and hand stitching that truly elevate the looks. Valvo says he is not an artist, but rather an artisan, dedicated to his craft, and it shows. I can’t wait to see what he creates next.


© Red Stiletto Media 2015                                  Photography: Anton Brookes

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IMG_1060 Son Jung WanSeason after season, Son Jung Wan brings something extra to the runways of New York Fashion Week. I think it’s the sense of gentleness that emanates from her and from her designs. I’m not saying her looks aren’t bold, because they are, but bold in a kind of quiet way.

IMG_0780_editImage2Case in point: her Spring/Summer 2016 collection, inspired by the seascape of Korea’s Jeju Island. Backstage before the show, she told me, “I was inspired by the beauty of the island and the beautiful oceans around it. I tried to express that beauty, of nature and the calm oceans with the colors of the sea.”

Image3Image4Those pale colors beautifully represent elements of the sea, grey for the storm clouds, blue for “a breath on an early morning by the seaside”, champagne for the misty sunshine, along with mint, ivory and the palest pink. Pops came in the form of metallic blue and shining silver that reflects the light in bright rainbow shades, or a vibrant metallic turquoise that surely came from the bottom of the ocean.

Image5Image6Her textures, as ever, add to the story, combining form with fluidity, leather with sheer silk, structure with shine. All elements of the seaside were represented: shiny, seashell-like dresses, more matte shifts, reminiscent of sand, joyous stripes for the tropical fish.

Image7Image8Dresses were formed from the most buttery leather, flowing silks or structures, gleaming fabrics, and her mastery of the asymmetrical was present in nearly every look. Menswear, too, carried the theme, with classic shorts and light sweaters decorated with sequins or seashells.

Image9Image10Mostly what shows through is her grasp of femininity, looks designed for women who are strong, but never forget they are women.

Image11IMG_1259 Son Jung WanThese are pieces that are classic Son Jung Wan, but, as ever, provide a new twist, a tiny surprise that keeps her collections modern, elegant and beautiful.

© Red Stiletto Media 2016                                                                 Photography: Anton Brookes

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Johnson Hartig is, in my opinion, one of the most creative designers and the most fun designer populating the runway today. For his perfectly-named line, Libertine, he takes what conventional wisdom would call “vintage” looks, adds baubles, bangles and beads (along with glitter, sequins, paint and anything else that comes into his hands) and turns them into fashion that’s high-end enough to sell at Bergdorfs.

Image1Image2For his Spring/Summer 2016, the fates threw him a big, big curve. 30 of his looks, set for the runway, were, instead, lost in some DHL abyss. While it caused more than a few moments of panic, the show went on, and if you didn’t know something was missing, well, you wouldn’t have known.

Image3This was Johnson Hartig’s Libertine at its best. Led, as they are every great season, by Johnson’s muse Michelle, the models strutted in styles that were impossible to define: a basic black overcoat decorated with two sparkly puppies, sexy purple mesh slacks and top embellished with wild graphics, cocktail dresses that shined and white suits with bright splashes of color. There were a couple of flapper looks that really stood out.

Image6Image7His menswear consisted of relaxed tops and trousers decorated with the same bright abandon. Warning: these looks are not for the faint of heart. But if you’re a man in touch with your glittery, animal-printed wild side, look no further than Libertine.

Image4The only requisite for the Libertine woman is a spirit that is joyous enough to rock big, long rows of colorful beads and a genuine flair for the dramatic. When the models came dancing down the catwalk for their finale, if you felt like skipping along with them, then you were meant for Libertine.

Image5The line has become a real staple at New York Fashion Week. Johnson Hartig’s wild imaginations and over-the-top talent makes this show one of the don’t miss moments. Long may Libertine reign.

© Red Stiletto Media 2015

Runway Photography: Anton Brookes       Video/Edit: Scott Fetterman Aditional video: Chad Cooper, Philip Henken, Crystal Arnett.

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Berenik 2.JPG 72Pier 59 has long been the runway home for the, let’s say, less mainstream designers. So, Veronika Brusa’s Berenik line fit right in. It was just the right space for these super-modern designs.

Image1Image2The Swiss designer was a graphic artist before turning her talents towards fashion, and it shows. Inspired by friend, studio-mate and artist Steve Voll, Brusa’s mission was clear: “a wild mix of art objects developed into various prints.”

Image3Image4The cuts are beyond relaxed. You can’t imagine being stressed in these oversized jackets, wide pants, slouchy jumpsuits and hoodies. Then she took the most comfy fabrics, cotton, stone-washed denim, linen, leather, mesh and various polys, worked some kind of magic, and printed them with patterns, some blatantly graphic, some softer, and turned out a line that accomplished her goal: blending elegance and comfort to create looks that are contemporary, sporty and chic.

Image5Image6Even the leather sandals, which could have looked a bit hippie-throwback, added a certain sense of style. I must admit that, at the start of the show, I believed I wasn’t going to be a fan. By the finale, I could see what a bold and creative collection this is, young, modern, wearable and artistic.

© Red Stiletto Media                                        Photography: Anton Brookes

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IMG_2233Wang Tao is one of China’s most successful and accomplished designers. But, season after season, she conquers New York Fashion Week with the elegance and sophistication of her line, Taoray Wang.

Image2Image3For Spring/Summer 2016, her inspiration was the film “Out of Africa”. And you can see her inspiration in every design. “When that movie came out, I was sort of shocked”, she said, backstage before the show. “The style was so simple, so minimal and so elegant. I could never get rid of those images.”

Image4Image5Elegance is the thread that runs through every Taoray Wang collection, and this is no exception. The clean lines and perfect tailoring give these very feminine looks a slightly masculine edge. Suits and blazers are pin straight, but topped with easy, looser tops. Maxi skirts and dresses have long side slits. Seemingly simple summer dresses have sharp, asymmetrical hems. Then there’s the very sleek and sexy off-the-shoulder dress with a sculpture pattern that could have come off as gimmicky, but, instead looked perfectly elegant.

Image7Image6The colors, cream, khaki, navy, black, fit right in with the “Out of Africa” theme, but could have been a bit dense for spring/summer. Instead, Wang’s fabric choices, silk and cotton, made them cool and easy-to-wear.

IMG_2289 Taoray WangImage1She says she stuck so close to her inspiration, because the film’s main character drove the collection. “She was so great”, she said. “She always carried herself very elegantly and with grace. I think the Taoray Wang woman is that kind of character.”

© Red Stiletto Media 2015                                Photography: Anton Brookes

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